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Hoysala Temples in Karnataka now a UNESCO World Heritage site

The Sacred Ensembles of Hoysalyas in Karnataka have now become India’s 42nd inscription on the UNESCO World Heritage List! The site includes three temple complexes dating from the 12th to 13th centuries built during the Hoysala Kingdom in southern India. The timeless beauty and intricate details of the Hoysala temples are a testament to India’s rich cultural heritage and the exceptional craftsmanship. This inclusion comes just a day after Rabindranath Tagore’s Santiniketan also received this distinguished recognition.

In its listing, UNESCO says, “This serial property encompasses the three most representative examples of Hoysala-style temple complexes in southern India- Belur, Halebid, and Somnathapura, dating from the 12th to 13th centuries. The Hoysala style was created through careful selection of contemporary temple features and those from the past to create a different identity from neighbouring kingdoms.

View showing the stellate form of the Channakeshava Temple, Belur and the Jagati following the profile of the plan form. © Archaeological Survey of India, Bengaluru Circle

“The shrines are characterized by hyper-real sculptures and stone carvings that cover the entire architectural surface, a circumambulatory platform, a large-scale sculptural gallery, a multi-tiered frieze, and sculptures of the Sala legend. The excellence of the sculptural art underpins the artistic achievement of these temple complexes, which represent a significant stage in the historical development of Hindu temple architecture.”

The temples were finalised as India’s nomination for consideration as World Heritage for the year 2022-2023. The ‘Sacred Ensembles of the Hoysala’ have been on UNESCO’s Tentative list since April 15, 2014. All these three Hoysala temples are already protected monuments of the Archaeological Survey of India (ASI).

Jagati following the offsetted profile of the plan, © INTACH Bengaluru Chapter

While the Hoysala temples maintain a fundamental Dravidian morphology, they exhibit substantial influences from the Bhumija style prevalent in Central India, the Nagara traditions of northern and western India, and the Karnataka Dravida modes favoured by the Kalyani Chalukyas, a PIB statement said describing the temples.

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