After the initiation of preservation of paintings on the Ajanta Caves, more restored artworks from ancient India, signifying a new tradition of art that gave birth to modern beliefs, are being preserved.
The earliest surviving paintings of the Hindu faith, restored from Badami Caves in Karnataka (India), and ancient paintings from the mysterious and elegant Brihadeesvara temple, along with artificial intelligence driven catalogues of ancient artworks and white papers signifying India’s cultural legacy in different parts of the world, were included on Thursday in the Arctic World Archive in a physical as well as virtual ceremony AWA, on the remote Norwegian Island of Svalbard.
Also presented to the vault was the copy of Durgasaptashati by Indira Gandhi National Centre for Arts, under the aegis of the Ministry of Culture, Government of India.
Curated by government advisory firm Sapio Analytics, that has breakthrough techniques in image restoration and feature extraction, with artworks photographed and digitally restored by art historian Benoy K Behl, these deposits are a valuable addition to the growing repository of world memory.
The artworks being deposited are considered some of the most significant works by humankind and are able to reveal mysteries and secrets of cultural growth of the world. Along with the paintings from UNESCO World Heritage site Ajanta Caves, they present new perspective of art to the world, and hence need to be preserved for future generations.
These images join existing treasures including Edvard Munch’s The Scream, records from the national archives of Brazil and Mexico, Github’s open-source code repository, famous films and other contemporary art, in a vault of world memory designed to last forever.
The Arctic World Archive is a growing digital repository of world memory located at the remote island of Svalbard in the Arctic Ocean. Piql’s innovative approach to archiving repurposes photosensitive film to be a digital medium. Data is stored using high density QR codes with all information needed to recover the information also stored on the film, making it self-contained and future-proof. This tried and tested technology can keep data alive for hundreds of years, without the need for migration.
Piql, the company behind the Archive, hosted a ceremony to mark the importance of storing these items for future generations.
Piql’s Managing Director, Rune Bjerkestrand, said that this second deposit cemented the ongoing collaboration for preservation of important cultural sites.
‘UNESCO World Heritage site Ajanta Caves, site having the earliest paintings from the Hindu faith Badami Caves, and the mysterious Brihadeesvara Temple from the south of India, are being digitally restored and deposited; this deposit is symbolic to the aims of AWA—ensuring our heritage is never lost or forgotten,’ he said.
Supported by the Government of India bodies, the capture of such large and significant sites is a major undertaking and will take years to complete, with artificial intelligence speeding up the process.
These paintings cannot be captured using lights and hence this preservation is special. The artist Benoy Behl has spent decades capturing these painting using a breakthrough photography technique.
“The ancient caves are dark and strong lights were not allowed to be used inside, as these would damage the invaluable paintings. Some earlier photography of the paintings, which had been carried out with special permission, was not very accurate, as there was much surface reflection from the painted surfaces. I had fortunately developed a technique of photographing in extremely low light -where you could barely see your hand in front of you in the dark interiors of the caves,” Benoy explained.
In 2020, Sapio Analytics deposited high resolution images of the Ajanta Caves in India, signifying the first AWA deposit of a UNESCO world heritage site. In 2021, the deposit from Ajanta continues, with the addition of sites that signify the origins of the faith of 1.35 billion people around the world.
AWA is located 300 metres inside a decommissioned coal mine on the remote Norwegian Island of Svalbard, holding digital treasures from around the world.
Svalbard was chosen as the location for a global memory repository, for its status as a declared demilitarised zone by 42 nations, offering both geographical and political stability. Further, the cool dry permafrost conditions increase the longevity of the stored data.
In this era, much of our heritage is stored digitally and, despite best efforts to protect it for the future, it can be exposed to risks, either from the online environment or just from the limits of modern storage technology.
The combination of Piql’s resilient long-term storage technology and the safety offered by AWA, data will live on into the distant future.
These deposits join manuscripts from the Vatican Library, political histories, masterpieces from different eras, scientific breakthroughs and contemporary cultural treasures among many other treasures in AWA.
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